In this experimental workshop, we will be working with non-traditional papers. By using different colored papers, we will explore how the blue of a cyanotype changes depending on what material is used. We will use some non traditional paper types (non watercolor paper) and experiment with the results.
If you are curious about a paper type, you are welcome to bring in your own supplies, or use the materials we will have on hand. Natural fiber works best for cyanotypes. We will fail or succeed together!
We will be printing digital negatives and using them for image making. I will show you my workflow and help print negatives. You will leave with your digital negatives and the prints you create.
Participants are asked to bring 3 - 5 high quality digital images in TIF form sized 8” on the longest side at 300 dpi on a USB.
A notebook and pencil for note taking
Apron
Images, digital or film
Paper for printing (Optional)
Instructor Bio:
Dan is a fine art photographer and educator based in Northwest Connecticut. His work stretches from landscape, to portraiture, to abstraction. Dan works with analog and Instant film, color pinhole photography, wet plate collodion, albumen printing and more. He received his BFA from The Hartford Art School and his MFA from Lesley University. Dan studied under Christopher James, and is included in The Book of Alternative Processes, ed 3. He worked for New55, a startup reengineering large format positive/negative film and currently is a Launchpad artist in Torrington, CT.
danielbairdmiller.com
* All workshops are held at the Five Points Art Center, 855 University Drive
Workshop Policies: Please review the terms of our workshop policies here
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